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Oblivion and Further Disaster

by Uncle Woe

supported by
FDJ (Desert Psychlist)
FDJ (Desert Psychlist) thumbnail
FDJ (Desert Psychlist) You may have to give "Oblivion and Further Disasters" multiple plays to pick up on ALL of its various colours, textures and dynamic shifts but it is a task well worth undertaking. Favorite track: Well.
Steve Rodger
Steve Rodger thumbnail
Steve Rodger Uncle Woe more tags than you can shake a stick at…
Darknight
Darknight thumbnail
Darknight Uncle Woe never miss a trick or metaltastic formula,expect plentiful of amazing tunes to blast your blues away and reinvent experimental psychedelic sludgy metal and doomy metal. Stunning album that truly deserves repeated listening🤘 Favorite track: The Many Comforts of Calamity.
Scott Spiers
Scott Spiers thumbnail
Scott Spiers Man, Doom sure is changing. It's no longer enough to find the perfect riff with the right pedal and blast it through an Orange amp into an Emperor Cab. Uncle Woe raises the bar in a huge way with Oblivion and Further Disaster. Now we need wailing vocals with heartbreaking and emotive lyrics with some of the best chord progressions since Clearing the Path to Ascend. Uncle Woe is perilously close to raising the bar for everyone. Favorite track: Well.
dioscribe
dioscribe thumbnail
dioscribe Uncle Woe’s special formula for metal goes deeper than anger or guttural noise, goes past bluesy Sabbath or Vitus influences, lower than Victor Griffin/Pentagram riffs & pulls you into a subatomic space of weirdly beautiful agony. It’s manic psychedelia - almost Floyd-Live at Pompeii era but w/ more purpose in its many layered nuances. Each listen reveals more tones wrapping around you - there w u as u feel - a loss? fear? moment? It depends on what personal narrative u bring on this trip.
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  • T-Shirt/Shirt

    High quality, eco friendly dye
    white on black design
    printed by privatepressprinting.com in Toronto, ON, Canada

    Artwork by Rain Fice
    © 2024 Packard Black Productions
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    edition of 25 

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  • Cassette + Digital Album

    ***For orders outside of the Americas, please contact @doomshire_tapes66

    It is with great pleasure we present to you our latest album, Oblivion and Further Disaster, in glorious analogue tape format.

    White labels on Solid Magnolia shells
    Fold out artwork, with full lyric sheet

    We will try to coordinate shipping these to you in time for the official March 8 release date.

    Includes unlimited streaming of Oblivion and Further Disaster via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 15 days

      $12.50 CAD or more 

     

  • Record/Vinyl + Digital Album

    Good old fashioned black wax single LP

    Includes unlimited streaming of Oblivion and Further Disaster via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    shipping out on or around August 8, 2024

      $22.50 CAD or more 

     

1.
It goes: I sink into the riverbed, separate from sweet mother sky. My hands are filled to overflowing. My hands are also full of holes. Everything I have come to collect slips through. Every door through which I have ever stepped has led me back to shore. I set sail with what’s left of my sister, t’ward some distant haunted light by which we fear we might never come to sea. Every sigh I have ever let fall out; every path down which I have made my escape has brought me back ashore. Come, dew-child, I have lain with writhing devils in cold and dying rooms. I have wept in empty aisles, and brought the ashes home. I have broken bread in shadow. I have sharpened shattered bone. I have tumbled out and down to pour forth from the mouth of Lethe. You’ve come due, child. What would you have me know? Come, dew-child, what would you have me know? I have tumbled out and down to pour forth from the mouth of Lethe.
2.
Well 06:19
I am dangled on the winds of false breath. I can see straight through these painted on shadows. Do we still have to hold them up to keep ourselves on the ground? Do I not get to let them down? Do I not get to watch them all drown? Mirror, mirror down the well, who the hell am I to tell anyone? How came you so far? Do we still have to hold them up to keep ourselves on the ground? Do I not get to let them all down? Who the hell are you to lock the door? Who am I to tell anyone? How came you so far? I’m dangled on the winds of false depth. I can see straight through your painted on limbs. Do I not get to watch them all drown Mirror, mirror down the well, who the hell am I to tell anyone? How came you so far? Who the hell are you to lock the door? Who the hell am I to knock?
3.
I saw you fall awake. Come to tragedy, fashioned after a dead fall. The sun will bend for me, and allow safe passage. It’s your turn to plan the wake, and come to silence; in passing, as in when we’re late. I saw you fall awake. Come to tragedy, fashioned after the worst parts. The sun will bend for me, and offer up the day, and allow safe passage. We’ll bury the sky, to cover everything. We’re wearing the sky under everything. The sun will bend for me, and let us drift away. The sun will pale and fall away, and beg for us to stay, and offer us the day, and allow safe passage. It’s your turn.
4.
5.
Black milk from blackened breast to feed the clotted sun. Bleed and writhe. Bits of sick. Old cloth is wet and wrung. I’m loath to learn indifferent tides now rush to meet you there. How cold has been the sun to me; how heavy here the wear. I’d sing, “a pox upon you,” now, but holy I’m no fun. I breathe and forage where it’s damp. How burdened are my lungs. I try to mend the looking glass with knives which are not mine. How painful is it now to see through eyes I cannot find. How great has been my misery. Here buried with no hands, like flowers pressed between great seas, I would that we had died.
6.
Bring with you only what you need; what you can carry. Count a thousand moons and curse them as they pass. What comes around is vacant now. Within/without; we are alone. Pray that we are only knee deep, ‘cause we are burdened and we are weary. The goddess of grief, upon a river of loss; the glass is half broken, the knife is fully chrome. Bring with you only what you need; what you can carry. Pray that we are only knee deep, ‘cause we are burdened and we are weary.
7.
∞ sect 11:00
I have learned to live with phantom mourning. I have poured myself through the holes you’ve failed to bury. Preach to me from on high. Scatter your own ashes far and wide. Cast your gaze upon me now with your bright and many eyes. Shower me in broken shafts of warmth and love and light. Let me stand witness as you climb, and you climb, and you climb. In your hallowed hands, I am shaped into whatever you desire. I am a plaything; sublime. You could be the light, but that I have eyes. ‘cause man, how I have watched you climb, and climb. I have watched you climb and climb. Climb. And if you take out your eyes, and I in turn close mine, we will never have to see ourselves. We will never know the light. When I have lived to weep as I am given to the sky, when I have hollowed out every stone you ever gave to me, reach to me from on high. I cannot wait to be inside. Cast your gaze upon me now, with your bright and many eyes. Shower me in broken shafts of warmth and love and light. Let me stand witness as you climb, and you climb. And if you take out your eyes, and I in turn close mine, we will never have to see ourselves. We will never know the light.

about

This is Uncle Woe's 6th release.

In the early stages of writing and arranging this batch of songs, this was going to be a side project. Once everything was fleshed out enough to hear as a whole album though, it was obviously the next Uncle Woe record.

Enter Marc Whitworth (xsforeyesnoise.bandcamp.com) on drums; whose absolutely precise and articulate frantic mastery behind the kit immediately helped make this the most compelling and urgent Uncle Woe record to date.

Our thanks to Doomshire Tapes for finding this album fit for winding up on spools of brown gold; sweet, glorious analogue cassette tape.
*For UK/EU tape orders, contact @doomshire_tapes66

And of course, thanks again to Owlripper Recordings for hosting our album in their fine and bountiful catalogue, found here owlripperrecordings.bandcamp.com

credits

released March 8, 2024

Written and produced by Rain Fice.
Performed and recorded by Rain Fice, in Detlor, Ontario, Canada, and Marc Whitworth, in Melbourne, Victoria, Australia.
Artwork by Rain Fice

All Rights Reserved
©2024 Packard Black Productions

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